Annika Koops is a Naarm (Melbourne) based artist working between painting and digital media. Recent work charts the porosity of boundaries between physical and virtual spaces, objects, and persona. Her images consider how subjectivity may be distilled and reformatted in the digital realm. 3D models that signify traces of human presence are employed within her work to explore the hermetically sealed reverie of CGI and the ethereal ontological status of the objects within it.
She has been the recipient of a number of significant grants and prizes including Australia Council Arts Projects for Individuals and Groups, Australia Council British School, Rome Residency, The Keith and Elisabeth Murdoch Traveling Fellowship, and an Australian Postgraduate Award. She has been invited to participate in international exhibitions such as Roman Remains, Transition Gallery, London, and the inaugural Bristol Biennial as well as having exhibited at a range of public institutions, artist-run spaces and private galleries in Australia.
She has undertaken National and International residencies, most recently as a visiting fellow with UNSW Art and Design (2020). Her work is included in significant Australian public collections such as Art Bank, MONA Hobart and The University of Melbourne Collection. She is represented by Bett Gallery, Hobart.